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We dive into how Critchley learned to appreciate the drama of the tragedies, how it led to his critique of Plato and Aristotle and much of what comes after them, and how we continue to wrestle with the central question of the tragedies: What shall I do? Along the way, we talk about the perils of moral monotheism, Wallace Stevens philosophy-as-poetry, what it means to treat Platos dialogues as drama, the role of women in Greek tragedy, the allure of the antiquitys lacunae, the difference between reading plays and being at the theater, why he thinks philosophy begins in disappointment, not wonder, and how hes dealing with recently losing his heavily marked-up copy of The Peregrine

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